{"id":3320,"date":"2011-03-21T21:40:08","date_gmt":"2011-03-21T19:40:08","guid":{"rendered":"http:\/\/www.jaws-3d.com\/blog\/?p=3320"},"modified":"2011-03-21T21:40:22","modified_gmt":"2011-03-21T19:40:22","slug":"jaws-81-les-premices-de-jaws-3-d-22","status":"publish","type":"post","link":"https:\/\/www.jaws-3d.com\/blog\/?p=3320","title":{"rendered":"Jaws ’81: les premices de Jaws 3-D (2\/2)"},"content":{"rendered":"

\"\"<\/a>Avec son \u00e9trange concept \u00ab\u00a0mechanical people\/ real sharks<\/em>\u00ab\u00a0, le retour du requin brul\u00e9 du film de Szwarc<\/strong>, son utilisation abusive de Stock-shots<\/em> issus des archives d’ Alan Landsburg<\/strong> et l’ arriv\u00e9e de l’ \u00ab\u00a0Electronic Compositing<\/em>\u00ab\u00a0, Jaws’ 81<\/strong> a tout du projet bancal. Tellement bancal que Verna Fields<\/strong> (alors ex\u00e9cutive \u00e0 Universal<\/strong>) contacte Joe Alves<\/strong> en octobre 81 pour lui faire part de ses craintes:\u00a0\u00bbOh, Jaws… What a mess. Please go over there and see what you can do to save the project. The studio’s not really interested but we don’ t want it to be a mess!<\/em>\u00a0\u00bb<\/p>\n

Contrairement \u00e0 ce qu’ on pourrait imaginer, Joe<\/strong> n’ \u00e9tait pas au courant de la mise en chantier d’ un troisi\u00e8me Jaws <\/strong>(rebaptis\u00e9 depuis peu Jaws’ 82<\/strong>). Et l’ \u00e9tonnement fut particuli\u00e8rement grand quand il appr\u00eet que les droits appartenaient d\u00e9sormais \u00e0 un producteur TV: \u00ab\u00a0I was very surprised when I heard about it, but I wasn’t aware of it until 1981 because I was involved in making other movies. It was brought to my attention my Verna Fields<\/em>\u00ab\u00a0.<\/strong><\/p>\n

\"\"<\/a>Verna Fields<\/strong> arrange donc imm\u00e9diatement un rendez-vous \u00e0 Los Angeles<\/em> entre Alves<\/strong> et Landsburg<\/strong>. Au cours de l’ entretien, ce dernier propose au fid\u00e8le collaborateur de Steven Spielberg<\/strong> (alors \u00e2g\u00e9 de 45 ans) d’ assurer la production. Mais c’ est le passage derri\u00e8re la cam\u00e9ra qui semble avant tout l’ int\u00e9resser. Pour autant, Joe Alves<\/strong> n’ est pas pr\u00eat \u00e0 \u00e0 se soumettre \u00e0 toutes les excentricit\u00e9s de son futur employeur. La questions des stock-footages<\/em> et des marionnettes est m\u00eame abord\u00e9e: \u00ab\u00a0I told Landsburg that I thought is was absolutely absurd and that we had to build a shark\u00a0\u00bb<\/em>. Alan Landsburg<\/strong>, sceptique quant aux capacit\u00e9s de Joe Alves<\/strong> \u00e0 diriger une production de plusieurs millions de dollars (alors que Joe<\/strong> a dirig\u00e9 la seconde \u00e9quipe sur Jaws 2<\/strong> pendant pr\u00e8s de 100 jours…) , le convainc tout de m\u00eame de travailler avec Richard Matheson<\/strong> (qui vient d’ achever une premi\u00e8re version du script sans les fils Brody<\/strong> mais avec Mickey Rooney<\/strong>) le temps qu’ une d\u00e9cision soit prise. La suite, vous la connaissez…<\/p>\n","protected":false},"excerpt":{"rendered":"

Avec son \u00e9trange concept \u00ab\u00a0mechanical people\/ real sharks\u00ab\u00a0, le retour du requin brul\u00e9 du film de Szwarc, son utilisation abusive de Stock-shots issus des archives d’ Alan Landsburg et l’ arriv\u00e9e de l’ \u00ab\u00a0Electronic Compositing\u00ab\u00a0, Jaws’ 81 a tout du projet bancal. Tellement bancal que Verna Fields (alors ex\u00e9cutive \u00e0 Universal) contacte Joe Alves en […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[20],"tags":[],"class_list":["post-3320","post","type-post","status-publish","format-standard","hentry","category-infos"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p2onKy-Ry","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.jaws-3d.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/3320","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jaws-3d.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jaws-3d.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jaws-3d.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jaws-3d.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3320"}],"version-history":[{"count":3,"href":"https:\/\/www.jaws-3d.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/3320\/revisions"}],"predecessor-version":[{"id":3325,"href":"https:\/\/www.jaws-3d.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/3320\/revisions\/3325"}],"wp:attachment":[{"href":"https:\/\/www.jaws-3d.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3320"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jaws-3d.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3320"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jaws-3d.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3320"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}